In the 1962 film "Two for the Seesaw" Robert Mitchum plays Jerry Ryan, a man who has walked away from a loveless marriage. His life was cushy, as he was a nobody who had married an heiress. He never had to exert himself much, and after a dozen years of marriage, he was in a very posh but unbearable rut. Shirley MacLaine plays Gittel Moskowitz, a bohemian New Yorker who is struggling as a dancer. Jerry begins an affair with Gittel and she clearly adores him. He is what some people would call an indecisive jerk. His wife sues him for divorce. There is a scene where Jerry gives Gittel a present. She opens it, and is surprised that it is a bar of soap. He explains it is Chanel No. 5 soap, very expensive, ("Five dollars!" he says, remember it is 1962--the same bar would cost approx. twenty dollars today.) Gittel is impressed. But the whole scene says one thing to me: He misses his wife and the scent of Chanel No 5 is symbolic of being near her, with her, enjoying that easy life. His wife took care of everything for him, but Gittel expects him to be a grown up man. An instant later, Jerry is hugging Gittel and says she smells even better than Chanel No. 5. But who is he kidding? Gittel has a collection of perfumes on a dresser in her apartment, so we know she uses scent. The moment Jerry purchases the Chanel No. 5 soap, we know he is not accepting Gittel as she is, and he never will. We also know that Gittel is better off without Jerry. This is an interesting pyschological drama.
Tuesday, February 6, 2007
Chanel No. 5 Part 1
In the 1962 film "Two for the Seesaw" Robert Mitchum plays Jerry Ryan, a man who has walked away from a loveless marriage. His life was cushy, as he was a nobody who had married an heiress. He never had to exert himself much, and after a dozen years of marriage, he was in a very posh but unbearable rut. Shirley MacLaine plays Gittel Moskowitz, a bohemian New Yorker who is struggling as a dancer. Jerry begins an affair with Gittel and she clearly adores him. He is what some people would call an indecisive jerk. His wife sues him for divorce. There is a scene where Jerry gives Gittel a present. She opens it, and is surprised that it is a bar of soap. He explains it is Chanel No. 5 soap, very expensive, ("Five dollars!" he says, remember it is 1962--the same bar would cost approx. twenty dollars today.) Gittel is impressed. But the whole scene says one thing to me: He misses his wife and the scent of Chanel No 5 is symbolic of being near her, with her, enjoying that easy life. His wife took care of everything for him, but Gittel expects him to be a grown up man. An instant later, Jerry is hugging Gittel and says she smells even better than Chanel No. 5. But who is he kidding? Gittel has a collection of perfumes on a dresser in her apartment, so we know she uses scent. The moment Jerry purchases the Chanel No. 5 soap, we know he is not accepting Gittel as she is, and he never will. We also know that Gittel is better off without Jerry. This is an interesting pyschological drama.